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Class Wargames Book Launch London 25 October

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Categories: Richard Barbrook

Class Wargames Book Launch London 25 October
Red Gallery 1-3 Rivington St, London EC2A 3DT

Richard Barbrook
Class Wargames: ludic subversion against spectacular capitalism

“In a world become ‘game-ified’ against its will, Class Wargames  provides the field manual for the only game that matters – that of history.” – McKenzie Wark

5.00-7.00pm: collective games playing
7.00-7.30pm: screening of Ilze Black’s ‘The Game of War’ film
7.30-9.00pm: talks by Richard Barbrook, Fabian Tompsett and Kimathi Donkor
9.00pm until late: KCC & the Rocking Crew and Toi-Toi featuring Claus Voigtmann Continue reading →

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Class Wargames

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Categories: Richard Barbrook

Class Wargames: Ludic subversion against spectacular capitalism
Richard Barbrook

Why should radicals be interested in playing wargames? Surely the Left can have no interest in such militarist fantasies? Yet, Guy Debord – the leader of the Situationist International – placed such importance on his invention of The Game of War described it as his most significant of his accomplishment.

Intrigued by this claim, a multinational group of artists, activists and academics formed Class Wargames to investigate the political and strategic lessons that could be learnt from playing his ludic experiment. While the ideas of the Situationists continue to be highly influential in the development of subversive art and politics, relatively little attention has been paid to their strategic orientation. Determined to correct this deficiency, Class Wargames is committed to exploring how Debord used the metaphor of the Napoleonic battlefield to propagate a Situationist analysis of modern culture and politics. Inspired by his example its members have also hacked other military simulations: H.G. Wells’ Little Wars; Chris Peers’ Reds versus Reds and Richard Borg’s Commands & Colors. Playing wargames is not a diversion from politics: it is the training ground of tomorrow’s communist insurgents.

Fusing together historical research on avant-garde artists, political revolutionaries and military theorists with narratives of five years of public performances, Class Wargames provides a strategic and tactical manual for subverting the economic, political and ideological hierarchies of early-21st century neoliberal capitalism. The knowledge required to create a truly human civilisation is there to be discovered on the game board! Continue reading →

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Lives of the Orange Men

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Categories: Major Waldemar Fydrych

Lives of the Orange Men: A Biographical History of the Polish Orange Alternative Movement
Major Waldemar Fydrych
Foreword by the Yes Men
Edited by Gavin Grindon

In Communist Poland, Surrealism Paints You!!!

Between 1981 and 1989 in Wroclaw Poland, in an atmosphere in which dissent was forbidden and martial law a reality, the Orange Alternative deployed the power of surrealist creativity to destabilise the Communist government. It worked. The militia were overwhelmed by thousands of unruly dwarves; celebrations of official festivals so disturbingly loyal that the Communist forces had to arrest anyone wearing red; walls covered in dialectical graffiti; new official festivals to assist the secret police with their duties; and a popular restaging of the storming of the Winter Palace using cardboard tanks and ships.

Lives of the Orange Men tells for the first time the story of this activist-art movement and its protagonists that played a key role in the 1989 revolution in Poland. Written by its central figure and featuring an appendix of newly-translated key texts including the ‘Manifesto of Socialist Surrealism’, a timeline of every Orange Alternative happening and a new foreword from the Yes Men. Continue reading →

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Future Che

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Categories: John Gruntfest, Richard Gilman-Opalsky

Future Che
John Gruntfest

Future Che brings together, for the first time, the art, poetry and music of legendary free jazz saxophonist and composer John Gruntfest. Drawing on a critical theory of waves Future Che incites wave after wave of joyful insurrection.

This book-art-music object includes an introduction by Richard Gilman-Opalsky and a live recording of a performance at the San Francisco Metropolitan Art Center.

Gruntfest draws upon both western and eastern radical artistic and philosophical traditions, from Ives to Coltrane, Buddha to Marx, Goldman to Debord, Whitman to Artaud… embracing all those creative, questioning, and life affirming movements that reject the stultifying, alienating, and deadening culture of capitalist death.

Continue reading →

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Precarious Communism

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Categories: Richard Gilman-Opalsky

Precarious Communism: Manifest Mutations, Manifesto Detourned
Richard Gilman-Opalsky

How does one demonstrate the enduring relevance of a sacred text but to help it speak to present times? This is what churches do with the Bible and what Marxists do with the writings of Marx. Richard Gilman-Opalsky offers a book-length détournement of The Communist Manifesto as a loving blasphemy, as a grateful revolt, both for and against the original text. Gilman-Opalsky detourns the 1848 manifesto as an exploration of its ongoing applicability, as well as its failures, in relation to capitalism and its evolving crises. Precarious Communism explores long-form détournement as a tool for critical theory. But most importantly, Gilman-Opalsky’s new book is a mutant manifesto of its own that makes the case for an autonomist and millennial Marxism, for the many movements of precarious communism. Continue reading →

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nanopolitics: an evening of bodies and books London October 9th

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Categories: nanopolitics group

nanopolitics, exhaustion, biopolitics: an evening of bodies and books
London, October 9th 7pm @ no.w.here:
Top Floor, 316-318 Bethnal Green Road, London E2 OAG

This evening will present an encounter of three lines of thought and practice relating to politics, bodies, life, the social and the common. Doing so, we attempt to think across conceptions and realities of micro, nano and biopolitics. Asking what it is that these dimensions may hold in common, what distinguishes them, and what they may learn from each other, we propose three short presentations followed by an open discussion.

First up is the handbook by the nanopolitics group from London, published with Minor Compositions this fall. Playfully sketching out the term ‘nanopolitics’, this handbook departs from bodies and their encounters in investigating the neoliberal city and workplace, the politics of crisis and austerity, precarity and collaboration. This book, packed with excercises and tools for action draws on social movements, grassroots organizing, dance, theatre and bodywork. As the hosts of this evening, the nanopolitics group will propose some ways of activating their handbook, which tries to think politics with and through the body. Continue reading →

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nanopolitics handbook

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Categories: nanopolitics group

nanopolitics handbook
the nanopolitics group

How to think politics with and through the body?

The invention of new modes of sensibility is vital to enriching and sustaining political engagements, labours and lives in the situated contexts of urban collectivity. The nanopolitics handbook investigates the neoliberal city and workplace, the politics of crisis and austerity, precarious lives and modes of collaboration – through bodies and their encounters.  Starting from the exploration of what bodies can do – with curiosity, courage and care – nanopolitics is a proposal for producing new collective subjectivations.

Based on the experiments and experiences of the nanopolitics group, this book proposes exercises, concepts and ideas as little maps and machines for action. Drawing on social movements, grassroots organizing, dance, theatre and bodywork, the reflections and practices here present strategies for navigating and reconfiguring the playing field of ‘nanopolitics’, activating its entanglement with the major politics of our time.  Continue reading →

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Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation

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Categories: Neala Schleuning

Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation
Neala Schleuning

 Artpolitik examines the relationship between art and politics, focusing on radical political aesthetics in western culture since the end of the nineteenth century.  Drawing from Surrealism, Socialist Realism, the Situationist International, capitalist consumer aesthetics, and critical theory, Neala Schleuning elaborates a social anarchist approach to aesthetics.

 Artpolitik is not a history of radical art production but an exploration of the core ideas inspiring radical art. This provocative book is guaranteed to both challenge and inform, reframing radical aesthetics for the challenges of the present. It features an exploration of ideas and techniques employed by artists for more effective communication of radical political ideas. Art has played a central role in revolutionary change throughout history, and our own times call for a revitalization of art in the service of liberatory politics.  This book is an effort to understand how new ideas seeking to position themselves vis a vis the aesthetic tradition while simultaneously reflecting the transformation of political and social movement cultures in new directions. Continue reading →

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The Undercommons

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Categories: Fred Moten, Stefano Harney

The Undercommons: Fugitive Planning & Black Study
Stefano Harney and Fred Moten
Introduction by Jack Halberstam

In this series of essays Fred Moten and Stefano Harney draw on the theory and practice of the black radical tradition as it supports, inspires, and extends contemporary social and political thought and aesthetic critique. Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control: the proliferation of capitalist logistics, governance by credit, and the management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons. Continue reading →

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Mayday Screening: The Condition of the Working Class

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Categories: Stevphen Shukaitis

Screening May 1: The Condition of the Working Class @ Wivenhoe
7:30 PM, May 1st @ Nottage Maritime Institute
The Quay Wivenhoe Colchester CO7 9BX

A new documentary feature film by Michael Wayne & Deirdre O’Neill
There will be a Q&A with the directors after the screening.

Everything changes and yet everything stays the same. 1844: Friedrich Engels writes his book The Condition of the Working Class in England, a classic denunciation of the appalling living conditions for working people living at the heart of the industrial revolution in Manchester, England. In 2012: a group of working class people from Manchester and Salford have the job of devising a theatrical show from scratch based on their own experiences and Engels’ book. They have 8 weeks before their first performance. The Condition of the Working Class follows the process from the first rehearsal to first night and situates their struggle to get the show on stage in the context of the daily struggles of working people facing economic crisis and austerity politics.

Condition of the Working Class Screening Flyer Continue reading →

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