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Neurocapitalism

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Categories: Giorgio Griziotti

Neurocapitalism. Technological Mediation and Vanishing Lines
Giorgio Griziotti
Foreword by Tiziana Terranova
Translated by Jason Francis McGimsey

Analyzes the changing politics of technology, charting out possibilities for autonomous cooperation

Technological change is ridden with conflicts, bifurcations and unexpected developments. Neurocapitalism takes us on an extraordinarily original journey through the effects that cutting-edge technology has on cultural, anthropological, socio-economic and political dynamics. Today, neurocapitalism shapes the technological production of the commons, transforming them into tools for commercialization, automatic control, and crisis management.

But all is not lost: in highlighting the growing role of General Intellect’s autonomous and cooperative production through the development of the commons and alternative and antagonistic uses of new technologies, Giorgio Griziotti proposes new ideas for the organization of the multitudes of the new millennium.

“it is rare to find a book… which is capable of combining a competent technical viewpoint with a coherent theoretical perspective… animated by a great political passion nourished by the ‘common learning’ of collective self-training.” – Tiziana Terranova

Bio: Giorgio Griziotti was one of the first digital engineers to graduate from Milan’s Politecnico University. His participation in the autonomous movements in Italy in the 1970s forced him to gain most of his professional experience in exile. He has an experience of more than thirty years in large international IT projects. Today he is an independent researcher and member of the collective Effimera. Continue reading →

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Don’t Network. The Avant Garde after Networks

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Categories: Marc James Léger

Don’t Network. The Avant Garde after Networks
Marc James Léger

Explores the nature of avant garde art within contemporary capitalism

There is something rotten about network society. Although the information economy promises to create new forms of wealth and social cooperation, the real subsumption of labour under post-Fordism has instead produced a social factory of precarious labour and cybernetic surveillance. In this context people have turned to networks as an ersatz solution to social problems. Networks become the agent of history, a technological determinism that in the best-case scenario leads to post-capitalism but at worst leads to new forms of exploitation and inequality. Don’t Network proposes a third option to technocratic biocapitalism and social movement horizontalism, an analysis of the ways in which vanguard politics and avant-garde aesthetics can today challenge the ideologies of the network society.

“The Hacienda has been built, but as an experience economy that turns everyone into cannibalistic creatives that devour themselves and the planet satisfying the insatiable demands of the market. Don’t Network offers a lucid analysis of the new class war going on in contemporary art and politics, uncovering the antagonistic forces that confront the contradictions of the network economy.” – Mikkel Bolt Rasmussen, author of After the Great Refusal

“In Don’t Network, Marc James Léger develops a compellingly detailed and layered argument that outlines, and undermines, the blanket hold of contemporary positivisms in politics, aesthetics and the social sciences. A book that pitches itself ‘against’ rather than ‘about’ ideologies of immanence on the biocapitalist left and right, it carefully develops Lacanian schemas of incompleteness and Marxist dialectics to advance negation, rather than connectivity, as the core of any potential cultural avant garde. This is part of a manifest vision for radical class struggle and institutions beyond diffuse and atomised moments of resistance.”  – Marina Vishmidt, author of Speculation as a Mode of Production
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Organization after Social Media

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Categories: Geert Lovink and Ned Rossiter

Organization after Social Media
Geert Lovink and Ned Rossiter

Exploring the politics of networks through and beyond social media

Organized networks are an alternative to the social media logic of weak links and their secretive economy of data mining. They put an end to freestyle friends, seeking forms of empowerment beyond the brief moment of joyful networking. This speculative manual calls for nothing less than social technologies based on enduring time. Analyzing contemporary practices of organization through networks as new institutional forms, organized networks provide an alternative to political parties, trade unions, NGOs, and traditional social movements. Dominant social media deliver remarkably little to advance decision-making within digital communication infrastructures. The world cries for action, not likes.

Organization after Social Media explores a range of social settings from arts and design, cultural politics, visual culture and creative industries, disorientated education and the crisis of pedagogy to media theory and activism. Lovink and Rossiter devise strategies of commitment to help claw ourselves out of the toxic morass of platform suffocation.

Bio:Geert Lovink is a media activist and theorist, internet critic and author of Uncanny Networks (2001), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012) and Social Media Abyss (2016). He is the founder of the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA) and teaches at the European Graduate School in Saas Fee/Malta.

Ned Rossiter is Professor of Communication in the Institute for Culture and Society with a joint appointment in the School of Humanities and Communication Arts, Western Sydney University. He is the author of Organized Networks: Media Theory, Creative Labour, New Institutions (2006) and Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares (2016).

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Situating Ourselves in Displacement

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Categories: Manuela Zechner, Marc Herbst

Situating Ourselves in Displacement. Conditions, experiences and subjectivity across neoliberalism and precarity

Edited by Paula Cobo Guevara and Manuela Zechner (Murmurae) and Marc Herbst (Journal of Aesthetics & Protest)

Displacement is a key paradigm of our time, for who can afford not to move, to shift, to change, to develop and improve – or to be moved, shifted, displaced? Situatedness is a key condition for solid and sustainable practices, in politics, arts, research or otherwise. Yet situatedness is not something we can take for granted today. What is the meaning of situatedness within displacement?

In this book we address conditions, experiences and subjectivity as shaped by the tension(s) between displacement and situatedness. Neoliberalism and precarity are the main contexts we depart from in developing concepts, tools and tactics that stem from our collective and individual lives.

What do politics and ethics mean in the context of frequent displacements? How do we understand and give account of our positionality and trajectory as itinerant subjects? What tools do we have for orienting ourselves in new contexts, for mapping out stakes, problems and possibilities of relating? Continue reading →

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Stop the City… Revisited

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Categories: Gee Vaucher, Stevphen Shukaitis

Stop the City… Revisited
Organized as part of The Substation’s “Discipline the City” series
23 August – 23 November 2017

Born out of the anarcho-punk scene, Stop the City demonstrations of 1983-84 were a series of actions and interventions to blockade and disrupt ‘The City’ (the financial district of London). Protesters and activists coalesced around artists like Crass, Subhumans and Poison Girls. Punk was not only a music and subculture, but a serious proposition of alternative politics built upon Do-It-Yourself practices connected through social centres, performance venues, and independent media.

During the past decades, the power of financial flows and markets have become all the more intense, between the imposition of austerity to service all kinds of debt to the financialization of daily life. Even after the repeated financial crises there seems to be little chance of disciplining, let alone stopping the city.

This exhibition brings together images and materials from this anarcho-punk forerunner to other large scale protests like Occupy Wall Street and the movement of the squares. They are presented not out of nostalgia or purely historical interest but rather to ask what these experiences might mean today. What lessons can be learned the politics and protest of the anarcho-punk scene? How do these histories speak to the present in Singapore? What today could Stop the City? Continue reading →

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There is no authority but yourself… and there is no self

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Categories: Gee Vaucher, Stevphen Shukaitis

There is no authority but yourself… and there is no self
19 August – 7PM – The Substation, Singapore

Punk is often narrated as a kind of year zero, a total break with the past. But this is far from the case. Nowhere is that clearer through the anarcho-punk punk Crass, who taking the phrase “there is no authority but yourself” made connections with a range of countercultures and arts, from the beats to the hippies, existentialism to surrealism.

Crass emerged from Dial House, an open house and arts space in rural Essex. Co-founder Penny Rimbaud describes its ethos creating a space where people “could get together to work and Live in a creative atmosphere rather than the stifling, inward looking environments in which we had all been brought up.” It is from here that innumerable projects and collaborations have been launched, from artistic ventures to political campaigns, from the planning of the first free festivals during the 1970s to the Stop the City protests.

This evening will explore these overlaps of punk, performance, radical arts and culture through a curator’s preview. Continue reading →

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The Way Out

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Categories: Kasper Opstrup

The Way Out. Invisible Insurrections and Radical Imaginaries in the UK Underground 1961-1991
Kasper Opstrup

A counterculture history of art and experimental politics that turns the world inside out

The Way Out examines the radical political and hedonist imaginaries of the experimental fringes of the UK Underground from 1961 to 1991 By examining the relations between collective and collaborative practices with an explicit agenda of cultural revolution, Kasper Opstrup charts a hidden history of experiments with cultural engineering, expanding current discussions of art, medias, politics, radical education and the occult revival. Even though the theatres of operation have changed with the rise of the Internet and a globalised finance economy, these imaginaries still raise questions that speak directly to the present.

Here we encounter a series of figures – including Alexander Trocchi, R. D. Laing, Joseph Berke, Brion Gysin, William Burroughs and Genesis P-Orridge – that blurred the lines between inner and outer, the invisible and the material. Four singular forms of speculative techniques for igniting an invisible insurrection with cultural means make up the central case studies: the sigma project, London Anti-University, Academy 23 and thee Temple ov Psychick Youth.

Contained within these imaginaries is a new type of action university: a communal affair that would improvise a new type of social relation into existence by de-programming and de-conditioning us without any blueprints for the future besides to make it happen. Instead of being turned upside down, the world was to be changed from the inside out. Continue reading →

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The Final Countdown

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Categories: Irwin

The Final Countdown: Europe, Refugees and the Left
Edited by Jela Krečič.

The Final Countdown

There is a commonly accepted notion that we live in a time of serious crisis that moves between the two extremes of fundamentalist terrorism and right wing populism. The latter draws its power from the supposed threat of immigrants: it proposes to resolve the immigrant crisis by placing the blame on the principal victims themselves, that is to say, on some form of otherness (immigrants, Islam, the LGBT community and similar). The predominant leftist position, which advocates multicultural tolerance and understanding, is no match for such aggressive populism.

The premise of The Final Countdown: Europe, Refugees and the Left is that our situation is indeed extremely dangerous, that near unimaginable catastrophes are lurking on the horizon, but that these new dangers also open up new spaces for radical emancipatory politics. Eleven distinguished thinkers take these perils as a challenge to provide sharp, specific analysis of our social and political predicament, combining a merciless critique of the prevailing leftist humanitarian approach with elements of a new vision for the Left.

The Final Countdown is therefore also a countdown to a new beginning; it is a practice of theory that is not here to lament but to re-think and reframe the very basic coordinates of how we understand and deal with today’s major political issues.

With contributions by Boris Buden, Boris Groys, Mladen Dolar, Saroj Giri, Agon Hamza, Jamil Khader, Robert Pfaller, Frank Ruda, Alenka Zupančič, Slavoj Žižek. Continue reading →

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#WorldsUpsideDown Exhibition

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Categories: Stevphen Shukaitis

#WorldsUpsideDown
11 March – 2 April @ Firstsite, Colchester

Riots. Revolts. Revolution. All flashing moments which throw the world – and our relationship with it – in question. From the uprising against the Russian Czar one hundred years ago to the Arab spring and protests against war, austerity and the continuing failure of politics as usual, people have pinned their hopes on radical political change, on turning worlds upside down. But all too often the ever-renewed dream of changing the world for the better has ended either in failure or has been crushed.

This pop up exhibition, for three weeks only, explores these moments of destabilization, crisis, and renewal. Included are Cairo based Mosa’ab Elshamy’s photographs from the 2011 – 2013 revolt in Egypt, the Justseeds’ Celebrate People’s History poster series, and David Mabb’s ‘Long Live the New! Morris & Co, Hand Printed Wallpapers and K. Malevich’s, Suprematism’. Each communicates or represents moments of upheaval. How do these histories resonate with each other? What can we learn from them? What might they say to each other? And how might they say it today, as political communication shifts from print materials to digital and social media? Continue reading →

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Gee Vaucher. Introspective Catalogue

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Categories: Gee Vaucher, Stevphen Shukaitis

Gee Vaucher. Introspective
Edited by Stevphen Shukaitis

Gee Vaucher is an internationally renowned political artist, known for her ‘radical creativity’, montages, and iconic record sleeve artwork for the famous anarchist-pacifist band Crass. Vaucher has always seen her work as a tool for social change, using surrealist styles and methods, and a DIY aesthetic to create powerful images exploring political and personal issues.

Gee Vaucher has been working as an artist in the UK since the 1960’s but is yet to have a major retrospective of her work in a UK public institution. In Autumn 2016 Firstsite, located in Colchester (UK), will host a retrospective her work, co-curated by Marie-France Kittler and Stevphen Shukaitis. This exhibition will re-affirm her position as a counter-cultural artistic force whose influence on local, national and international visual art and cross-disciplinary contexts deserves to be explored. Gee Vaucher: Introspective will celebrate the rich history of art and activism both on a local and national level. It will not only look back to the radical spirit of the 60’s, 70’s and 80’s, but is also an opportunity to engage audiences in important social debates taking place today.

This catalog will be the first in-depth publication examining the vast range of her work including painting, collage, video, performance art, design, and installation works.

Contributors: Gee Vaucher, Penny Rimbaud, Patricia Allmer, John Sears, Rebecca Binns, George McKay, Yuval Etgar, Martina Groß, and Stevphen Shukaitis.

Gee Vaucher. Introspective

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