{"id":976,"date":"2019-10-03T13:49:08","date_gmt":"2019-10-03T13:49:08","guid":{"rendered":"http:\/\/www.minorcompositions.info\/?p=976"},"modified":"2026-03-17T18:18:15","modified_gmt":"2026-03-17T18:18:15","slug":"the-beautiful-warriors-technofeminist-praxis-in-the-twenty-first-century","status":"publish","type":"post","link":"https:\/\/www.minorcompositions.info\/?p=976","title":{"rendered":"The Beautiful Warriors"},"content":{"rendered":"<p><script src=\"https:\/\/www.paypal.com\/sdk\/js?client-id=BAAZVqDzpOe4wiR8CaLD_oJEvsW8k_r43j2m8f0nPZpK9MqpD3c_nCgZ1_fgqtEOiF3kkO3be21V5NnwRU&#038;components=hosted-buttons&#038;disable-funding=venmo&#038;currency=GBP\">\n<\/script><\/p>\n<p><strong>The Beautiful Warriors. Technofeminist Praxis in the Twenty-First Century<br \/>\n<\/strong>Edited by Cornelia Sollfrank<\/p>\n<p><em>The Beautiful Warriors. Technofeminist Practice in the 21<sup>st<\/sup>Century<\/em>brings together seven current technofeminist positions from the fields of art and activism. In very different ways, they expand the theories and practices of 1990\u2019s cyberfeminism and thus react to new forms of discrimination and exploitation. Gender politics are negotiated with reference to technology, and questions of technology are combined with questions of ecology and economy. The different positions around this new techno-eco-feminism understand their practice as an invitation to take up their social and aesthetic interventions, to join in, to continue, and never give up.<\/p>\n<p>Contributions from Christina Grammatikopoulou, Isabel de Sena, Femke Snelting, Cornelia Sollfrank, Spideralex, Sophie Toupin, hvale vale, Yvonne Volkart.<\/p>\n<p><strong>Bio:<\/strong>Cornelia Sollfrank is an artist, researcher, and university lecturer living in Berlin. She is the co-founder of the women-and-technology, -Innen, and Old Boys Network collectives. Currently, she works as a research associate at the University of the Arts in Z\u00fcrich.<!--more--><\/p>\n<p><strong>Ordering Information<\/strong><\/p>\n<div id=\"paypal-container-PCGQSA36VLTEJ\"><\/div>\n<p><script>\n  paypal.HostedButtons({\n    hostedButtonId: \"PCGQSA36VLTEJ\",\n  }).render(\"#paypal-container-PCGQSA36VLTEJ\")\n<\/script><\/p>\n<p>Official release to the book trade in Winter\u00a02019.<\/p>\n<p>Available direct from Minor Compositions for the special price of \u00a310 + shipping.<\/p>\n<p>You can also download it here: <a href=\"https:\/\/archive.org\/details\/beautiful-warriors\" target=\"_blank\" rel=\"attachment noopener wp-att-996\">The Beautiful Warriors<\/a><\/p>\n<p>156 pages, 5.5 x 8.5, \u00a318 \/ US: $24<br \/>\nISBN 978-1-570-27-365-0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Beautiful Warriors. Technofeminist Praxis in the Twenty-First Century Edited by Cornelia Sollfrank The Beautiful Warriors. Technofeminist Practice in the 21stCenturybrings together seven current technofeminist positions from the fields of art and activism. In very different ways, they expand the theories and practices of 1990\u2019s cyberfeminism and thus react to new forms of discrimination and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":978,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[],"class_list":["post-976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cornelia"],"_links":{"self":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=976"}],"version-history":[{"count":8,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/976\/revisions"}],"predecessor-version":[{"id":1839,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/976\/revisions\/1839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/media\/978"}],"wp:attachment":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}