{"id":915,"date":"2018-12-28T11:13:50","date_gmt":"2018-12-28T11:13:50","guid":{"rendered":"http:\/\/www.minorcompositions.info\/?p=915"},"modified":"2026-03-17T18:12:08","modified_gmt":"2026-03-17T18:12:08","slug":"combination-acts","status":"publish","type":"post","link":"https:\/\/www.minorcompositions.info\/?p=915","title":{"rendered":"Combination Acts"},"content":{"rendered":"<p><script src=\"https:\/\/www.paypal.com\/sdk\/js?client-id=BAAZVqDzpOe4wiR8CaLD_oJEvsW8k_r43j2m8f0nPZpK9MqpD3c_nCgZ1_fgqtEOiF3kkO3be21V5NnwRU&#038;components=hosted-buttons&#038;disable-funding=venmo&#038;currency=GBP\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span>\n<\/script><\/p>\n<p><strong>Combination Acts. Notes on Collective Practice in the Undercommons<br \/>\n<\/strong>Stevphen Shukaitis<\/p>\n<p><em>Dialogues and essays exploring collaboration in artist collective &amp; self-organized cultural production<\/em><\/p>\n<p>During the industrial revolution artisans and craft workers sparked struggles against exploitation while the force of law drove unions underground. Today conditions are different\u2026 yet they are not. Collective organizing is pre-empted not by legal prohibition but rather by a perverse internalized neoliberal logic that celebrates the precarious creative worker as its exemplar.<\/p>\n<p><em>Combination Acts<\/em> draws together fifteen years of conversations with artists, musicians, activists, and theorists about the nature of collaborative practice. What sociality is produced by their practices? What forms of collectivity do they animate and embody? Taken together these dialogues provide a series of study notes for and from the self-organization of the undercommons, gesturing towards an aesthetics that occupies a space of power for itself by coming to close to, but never finally reaching, a set form.<\/p>\n<p>\u201cThe mood and tense of revolution can be obscure even to those who act it out \u2013 as polyphonic combination, cutting normative conceptions of person and number \u2013 in beautifully everyday experiments that strain against the brutally ongoing. Thankfully, in this timely primer, Stevphen Shukaitis reminds us how to conjugate the verbs to live, to fight, and to enjoy.\u201d \u2013 Fred Moten, New York University<\/p>\n<p>\u201c<em>Combination Acts<\/em> offers an overview of political cultural tools and tactics radicals have mobilized over the 20<sup>th <\/sup>century and into the 21<sup>st<\/sup>.\u00a0 Shukaitis steers through rebellious terrain, from cyberhacking and forms of sabotage to critiques of global neoliberal institutions and horizontal re-commoning, opening new terrains of speculative imaginative possibilities. A necessary guide to militant culture in the new millennium.\u201d \u2013 Jaleh Mansoor, University of British Columbia<\/p>\n<p>\u201c<em>Combination Acts<\/em> is an exhilarating read as it boldly combines optimism (the always renewed burden of struggles on the left) and pragmatism (the requirement of actually existing praxis). Engaging dialogues and theoretical analysis are also combined in this cutting-edge study, on material and in ways that are indispensable for carrying forward the spirit and actuality of insurgent togetherness. The key question of the book \u2013 <em>what interventions would be needed so that the grammar of self-organization would not find itself rendered into the fixed forms of capital\u2019s continued accumulation demands?<\/em> \u2013 is answered through multiple narrative documents of real-life experience crossing through the art field. At the very least, the book informs us of the depth of critical thought from which practices of anti-status-quo alternatives stem; as for what the book achieves at its best, this is dependent on whether and how we seek to implement what we learn from it. An essential and inspirational reality check on collaboration, labour, its content and discontent, and the conundrum of art activism, among numerous other markers of the <em>zeitgeist<\/em>.\u201d \u2013 Angela Dimitrakaki, University of Edinburgh<\/p>\n<p><strong>Bio:<\/strong> Stevphen Shukaitis is Senior Lecturer at the University of Essex, Centre for Work and Organization, and a member of the Autonomedia editorial collective. He is the author of <em>Imaginal Machines: Autonomy &amp; Self-Organization in the Revolutions of Everyday Day <\/em>(2009) and <em>The Composition of Movements to Come: Aesthetics and Cultural Labor After the Avant-Garde<\/em> (2016). His research focuses on the emergence of collective imagination in social movements and the changing compositions of cultural and artistic labor.<!--more--><\/p>\n<p><strong>Ordering Information<\/strong><\/p>\n<div id=\"paypal-container-36M562B4KY5HJ\"><\/div>\n<p><script>\n  paypal.HostedButtons({\n    hostedButtonId: \"36M562B4KY5HJ\",\n  }).render(\"#paypal-container-36M562B4KY5HJ\")\n<\/script><\/p>\n<p>Official release to the book trade in June\u00a02019.<\/p>\n<p>Available direct from Minor Compositions for the special price of \u00a310 + shipping.<\/p>\n<p>You can also download it here:\u00a0<a href=\"https:\/\/archive.org\/details\/combinationacts\" target=\"_blank\" rel=\"noopener\">Combination Acts<\/a>.<\/p>\n<p>228 pages, 6 x 9<br \/>\nUK: \u00a318 \/ US: $24<br \/>\nISBN 9781570273551<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Combination Acts. Notes on Collective Practice in the Undercommons Stevphen Shukaitis Dialogues and essays exploring collaboration in artist collective &amp; self-organized cultural production During the industrial revolution artisans and craft workers sparked struggles against exploitation while the force of law drove unions underground. Today conditions are different\u2026 yet they are not. Collective organizing is pre-empted [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,38,51,17,19],"tags":[],"class_list":["post-915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alanmoore","category-fred","category-gee","category-laboratory-of-insurrectionary-imagination","category-stevphen"],"_links":{"self":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=915"}],"version-history":[{"count":13,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/915\/revisions"}],"predecessor-version":[{"id":1834,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/915\/revisions\/1834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/media\/917"}],"wp:attachment":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}