{"id":1681,"date":"2026-02-02T23:13:57","date_gmt":"2026-02-02T23:13:57","guid":{"rendered":"https:\/\/www.minorcompositions.info\/?p=1681"},"modified":"2026-02-24T23:17:12","modified_gmt":"2026-02-24T23:17:12","slug":"in-girum-imus-nocteet-consumimur-igni","status":"publish","type":"post","link":"https:\/\/www.minorcompositions.info\/?p=1681","title":{"rendered":"In girum imus nocteet consumimur igni"},"content":{"rendered":"<p class=\"p1\"><b>Minor Compositions Season 2 Episode 1: In girum imus nocteet consumimur igni<\/b><\/p>\n<p><iframe loading=\"lazy\" title=\"In girum imus nocteet consumimur igni\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/2_REcc_9Arc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p1\">Season 2 opens with a conversation with Silvia Maglioni and Graeme Thomson \u2013 filmmakers, artists, and co-founders of Firefly Frequencies \u2013 reflecting on radio as a collective, political, and affective medium. Moving between the history of autonomous radio, projects such as Lullabies for the Revolution and Terminal Beach, and collaborations including the Gaza Biennale, the discussion explores sound as a way of creating community, defamiliarizing political experience, and responding in time. The episode also considers radio and publishing as shared infrastructures: voicings, montage, reading groups, remixing archives, and the possibilities of activating past materials for new collectivist futures. Opening Season Two, In girum imus nocte et consumimur igni circles questions of listening, drift, and persistence \u2013 how we move together through sound, and what it means to keep a frequency alive.<!--more--><\/p>\n<p class=\"p1\"><a href=\"https:\/\/fireflyfrequencies.org\"><b>Firefly Frequencies<\/b><\/a><br \/>\n<a href=\"https:\/\/fireflyfrequencies.org\/podcasts\/terminal-beach\"><b>Terminal Beach<\/b><\/a><br \/>\n<a href=\"https:\/\/fireflyfrequencies.org\/podcasts\/ambient-thought\"><b>Ambient Thought<\/b><\/a><br \/>\n<a href=\"https:\/\/fireflyfrequencies.org\/podcasts\/lullabies-for-the-revolution\"><b>Lullabies for the Revolution<\/b><\/a><br \/>\n<a href=\"https:\/\/fireflyfrequencies.org\/podcasts\/memory-for-denial\"><b>Memory for Denial<\/b><\/a><\/p>\n<p class=\"p1\">Music: Intro: Jaydawn &amp; Wukir Suryadi &#8211; Moal Ngejat from Pucung, Pangkur Jeung Hujan Bedog<\/p>\n<p class=\"p1\">Outro: Fireflies August 2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Minor Compositions Season 2 Episode 1: In girum imus nocteet consumimur igni Season 2 opens with a conversation with Silvia Maglioni and Graeme Thomson \u2013 filmmakers, artists, and co-founders of Firefly Frequencies \u2013 reflecting on radio as a collective, political, and affective medium. Moving between the history of autonomous radio, projects such as Lullabies for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1682,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[83],"tags":[],"class_list":["post-1681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-podcast"],"_links":{"self":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1681"}],"version-history":[{"count":1,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1681\/revisions"}],"predecessor-version":[{"id":1683,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1681\/revisions\/1683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/media\/1682"}],"wp:attachment":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}