{"id":1136,"date":"2022-07-26T09:46:00","date_gmt":"2022-07-26T09:46:00","guid":{"rendered":"https:\/\/www.minorcompositions.info\/?p=1136"},"modified":"2026-03-17T18:28:17","modified_gmt":"2026-03-17T18:28:17","slug":"dissemblage-machinic-capitalism-and-molecular-revolution","status":"publish","type":"post","link":"https:\/\/www.minorcompositions.info\/?p=1136","title":{"rendered":"Dissemblage"},"content":{"rendered":"<p><script src=\"https:\/\/www.paypal.com\/sdk\/js?client-id=BAAZVqDzpOe4wiR8CaLD_oJEvsW8k_r43j2m8f0nPZpK9MqpD3c_nCgZ1_fgqtEOiF3kkO3be21V5NnwRU&#038;components=hosted-buttons&#038;disable-funding=venmo&#038;currency=GBP\">\n<\/script><\/p>\n<p style=\"font-weight: 400;\"><strong>Dissemblage. Machinic Capitalism and Molecular Revolution<br \/>\n<\/strong>Gerald Raunig<\/p>\n<p style=\"font-weight: 400;\">Following<em> Dividuum (2015), <\/em>Gerald Raunig presents the second volume of \u201cMachinic Capitalism and Molecular Revolution.\u201d<em> Dissemblage<\/em> unfolds a wild abundance of material of unruliness, from the multilingual translation machines of Al-Andalus to the queer mysticism of the High Middle Ages, from the small voices of the falsetto in 20<sup>th<\/sup> century jazz and soul to today\u2019s disjointures and subjunctures against the smooth city in machinic capitalism.<\/p>\n<p style=\"font-weight: 400;\">In this volume Gerald Raunig not only develops a conceptual ecology of concepts of joining and jointing, but also undertakes an experiment in theoretical form. Semi-fictional interweaves with meticulously researched historical sources, mystical writings with letters from friends, philosophical fragments with poetic ritornellos. More than a narrative about dissemblages from social surrounds, thing-worlds, and ghost-worlds, the book itself is a dividual multiplicity in form and content, out of joint, in the joints, dissemblage.<\/p>\n<p style=\"font-weight: 400;\"><strong>Bio:<\/strong> Gerald Raunig is philosopher at the Zurich University of the Arts and co-editor of the multilingual publishing platform <a href=\"https:\/\/transversal.at\" target=\"_blank\" rel=\"noopener\"><em>transversal texts<\/em><\/a>. He is the author of <em>Art and Revolution<\/em> and <em>A Thousand Machines<\/em>. <em>Dissemblage<\/em> is the second volume of \u201cMachinic Capitalism and Molecular Revolution,\u201d following up on the conceptual lines of its first volume, <em>Dividuum<\/em>.<\/p>\n<p><!--more--><\/p>\n<p><strong>Ordering Information<\/strong><\/p>\n<div id=\"paypal-container-TWJEUHHGR4B9G\"><\/div>\n<p><script>\n  paypal.HostedButtons({\n    hostedButtonId: \"TWJEUHHGR4B9G\",\n  }).render(\"#paypal-container-TWJEUHHGR4B9G\")\n<\/script><\/p>\n<p>Available direct from Minor Compositions for the special price of \u00a310 + shipping.<br \/>\nYou can also download it here: <a href=\"https:\/\/archive.org\/details\/dissemblage\" target=\"_blank\" rel=\"attachment noopener wp-att-1138\">Disassemblage<\/a><\/p>\n<p>256 pages, 5.5 x 8.5, paperback<br \/>\nUK: \u00a318 \/ US: $24<br \/>\nIBSN 978-1-57027-406-0<\/p>\n<p>Release to the book trade December 2022<\/p>\n<p><a href=\"https:\/\/www.minorcompositions.info\/?attachment_id=1142\" rel=\"attachment wp-att-1142\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1142\" src=\"https:\/\/www.minorcompositions.info\/wp-content\/uploads\/2022\/07\/Guattari-300x196.jpg\" alt=\"\" width=\"300\" height=\"196\" srcset=\"https:\/\/www.minorcompositions.info\/wp-content\/uploads\/2022\/07\/Guattari-300x196.jpg 300w, https:\/\/www.minorcompositions.info\/wp-content\/uploads\/2022\/07\/Guattari-768x501.jpg 768w, https:\/\/www.minorcompositions.info\/wp-content\/uploads\/2022\/07\/Guattari.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dissemblage. Machinic Capitalism and Molecular Revolution Gerald Raunig Following Dividuum (2015), Gerald Raunig presents the second volume of \u201cMachinic Capitalism and Molecular Revolution.\u201d Dissemblage unfolds a wild abundance of material of unruliness, from the multilingual translation machines of Al-Andalus to the queer mysticism of the High Middle Ages, from the small voices of the falsetto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[73],"tags":[],"class_list":["post-1136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-raunig"],"_links":{"self":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1136"}],"version-history":[{"count":10,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1136\/revisions"}],"predecessor-version":[{"id":1845,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1136\/revisions\/1845"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/media\/1137"}],"wp:attachment":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}