{"id":1008,"date":"2020-12-16T18:49:10","date_gmt":"2020-12-16T18:49:10","guid":{"rendered":"http:\/\/www.minorcompositions.info\/?p=1008"},"modified":"2026-03-17T18:24:58","modified_gmt":"2026-03-17T18:24:58","slug":"climate-chaos-making-art-and-politics-on-a-dying-planet","status":"publish","type":"post","link":"https:\/\/www.minorcompositions.info\/?p=1008","title":{"rendered":"Climate Chaos"},"content":{"rendered":"<p><script src=\"https:\/\/www.paypal.com\/sdk\/js?client-id=BAAZVqDzpOe4wiR8CaLD_oJEvsW8k_r43j2m8f0nPZpK9MqpD3c_nCgZ1_fgqtEOiF3kkO3be21V5NnwRU&#038;components=hosted-buttons&#038;disable-funding=venmo&#038;currency=GBP\">\n<\/script><\/p>\n<p><strong>Climate Chaos. Making Art and Politics on a Dying Planet<br \/>\n<\/strong>Neala Schleuning<\/p>\n<p><em>Formulates an anarchist aesthetics exploring what art can mean in and do in the Anthropocene<\/em><\/p>\n<p>Kant sought to contain the ancient fear and terror of the natural world in his concept of the sublime. He argued that with human reason we could safely confront an uncontrolled and powerful natural world. But today we no longer have the luxury of the Kantian sublime as we face the oppressive claustrophobic horror of drastic global climate change.<\/p>\n<p>The earth itself is now threatened and livelihoods are more precarious. A new sublime incorporating the experience of awe and immensity \u2013 coupled with a profound respect for the presence of a great and unpredictable force of nature \u2013 can shape our response to the Anthropocene. <em>Climate Chaos<\/em>reassesses the Kantian sublime, opening up the opportunity to reconsider its dark side and our own fears, as we come face to face with the agency of nature beyond a rational response. Can we find ways to change our thinking, art, and politics to move beyond through the catastrophe of the present? A new aesthetics and a new political narrative of living in harmony with the earth is emerging.<\/p>\n<p><strong>Bio:\u00a0<\/strong>Neala Schleuning is a writer and educator. She received her PhD in American Studies from the University of Minnesota in 1978 with an emphasis in political philosophy and intellectual history.\u00a0Fulbright Scholar to the Russian Federation, she is the author of many articles, higher education policy papers, films and radio productions, and several books, including <em>Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation <\/em>(2013), <em>America: Song We Sang Without Knowing<\/em>(1983); <em>Idle Hands and Empty Hearts: Work and Freedom in the United States<\/em>(1990); <em>Women, Community, and the Hormel Strike of 1985-86<\/em>(1994); and <em>To Have and to Hold: the Meaning of Ownership in the United States<\/em>(1997).<!--more--><\/p>\n<p><strong>Ordering Information<\/strong><\/p>\n<div id=\"paypal-container-WXSNMXDHCTMLA\"><\/div>\n<p><script>\n  paypal.HostedButtons({\n    hostedButtonId: \"WXSNMXDHCTMLA\",\n  }).render(\"#paypal-container-WXSNMXDHCTMLA\")\n<\/script><\/p>\n<p>Official release to the book trade in May 2021.<\/p>\n<p>Available direct from Minor Compositions now for the special price of \u00a310.<\/p>\n<p>You can also download it here: <a href=\"https:\/\/archive.org\/details\/climatechaos\" target=\"_blank\" rel=\"attachment noopener wp-att-1010\">Climate Chaos<\/a><\/p>\n<p>208 pages, 6 x 9 trim, full color (including 27 figures)<\/p>\n<p>UK: \u00a320 \/ US: $27<br \/>\nISBN 978-1-57027-381-0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Climate Chaos. Making Art and Politics on a Dying Planet Neala Schleuning Formulates an anarchist aesthetics exploring what art can mean in and do in the Anthropocene Kant sought to contain the ancient fear and terror of the natural world in his concept of the sublime. He argued that with human reason we could safely [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1009,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-1008","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-neala"],"_links":{"self":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1008"}],"version-history":[{"count":7,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1008\/revisions"}],"predecessor-version":[{"id":1842,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/posts\/1008\/revisions\/1842"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=\/wp\/v2\/media\/1009"}],"wp:attachment":[{"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.minorcompositions.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}